Complying with the rules, all proposals submitted were anonymous throughout the process. The jury included practicing and academic architects and urbanists, alongside experts on bioclimatic architecture, exhibition and archive design. The jury hold extensive experience in the issues of memory, conflict and museums, including two jury members having designed museums of memory, one in Bogota, Colombia and the other one in Santiago, Chile.
From the 72 projects submitted, the jury members selected 24 in the first round. Later, the selection reduced the proposals to 14, to 8, and finally to 6. Their work has been published widely in Europe, Asia, and America. In addition, the contract for the development of the project comprises a sum of COP 3. The single-round competition was open to qualified architects, natural or legal person, Colombian or foreign, either individually, as a joint venture or consortium.
For international candidates was a requirement to establish an alliance with a Colombian representative. The Centre accomplishes this by reconstructing, through the testimony of victims, the human rights violations that occurred during the armed conflict, searching for truth, justice, reparation and the construction of a sustainable and lasting peace. If interested in any publication or product from our research projects please send your application to the following email: The centre will reply with instructions for the process to follow and the delivery date, according to our inventory.
Also knowing what they did, the context in which it happened and who the victims were. However, this does not implicate any judicial charge for those who contribute to the process. The work carried out by victims, victim organizations as well as defenders of human rights and academics concerning memory and historical narrative, is the basis for the dialog and for the construction of contents for the National Museum of Memory, which must be, like Colombia itself, diverse and plural.
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As of now, the Museum is a scenario for encounters and debate that, far from creating an official memory, generates documents and appropriate moments for reflection to understand and interpret our history. The NCHM invites the international community to publicise this information and encourage global participation in this international competition. The competition seeks to ensure that the architectural proposal complies with the restorative, monumental and memorial nature of this project.
The competition aims to select the best proposal that will articulate this complex architectural programme effectively. Therefore, it requires an emotive, plural, aesthetical, flexible and symbolic design. The timeframe regarding registration and reception of proposals will be communicated in the coming days. For this reason, it must integrate a special component formed by sensitive contents, which will put into context and encourage participants to understand those who will inhabit and fill the Museum with life, in particular the victims.
The architects need to take into account these voices in order to interpret what happened, as memory plays a leading role in the construction of a better society in the future. The building itself should be a memorial, which means it should have an architecture with a commemorative nature that would give account of the intention of the content. The monumentality of the Museum should therefore celebrate the symbolic meaning of the Museum content: The NMM and the adjacent Democracy Square will constitute a continuum of expression of knowledge, grief, resistance, creativity and resilience, which the Colombian population from all regions has demonstrated towards violence.
In that regard, it is a special synthesis of the various places of memory built in different sites in Colombia, in which violations of human rights took place. Taking into account these particularities, the Colombian Society of Architects, the National Centre for Historical Memory and the Office of the Mayor of Bogota have selected recognized architects.
This includes five professionals that will have the enormous responsibility to choose the winning architectural firm, which will design the future National Museum of Memory. Every one of them, from their respective field, will critically, thoughtfully and sensitively assess the proposals.
They will make recommendations and suggestions to the winning design in order to make this a historic, architectural and museological milestone in Colombia. This international competition will award the three best proposals that meet and comply with the requirements to express the memories of what happened and the voices of resistance, while combining through the different areas of the Museum the expectations and demands of the citizens that contribute to the construction of a better country. Sociedad Colombiana de Arquitectos Address: The National Centre for Historical Memory announced that applications were received, becoming one of the largest architectural competitions ever held in Colombia, according to the Colombian Society of Architects.
The competition was open to qualified architects —either individuals or teams— from anywhere in the world. All registered candidates have to submit their proposals until July Then, the selection process will take place and the winner will be announced on August 13, All proposals submitted will be anonymous to the five-member competition jury.
The jury includes practicing and academic architects and urbanists, alongside experts on bioclimatic architecture and exhibition design.
The jury hold extensive experience in the issues of memory, conflict and museums having two jury members designed museums of memory, one in Bogota, Colombia and the other one in Santiago, Chile. The competition jury members are: From August 10 and for two weeks, all proposals will be exhibited to the general public in Bogota.
In addition to the contract for the development of the project, a sum of COP 3. The results of research and missional activities are broadcast through educational resources such as radio programs, podcasts, printed leaflets and infographics that are accessible to diverse audiences.
The majority of the reports published to the date include one or more of these pedagogical components. Soon there will be a multimedia version of the report, and it will be translated into English as well as indigenous languages. Faces of Memories presents some memory initiatives developed by communities and victims' organizations across Colombia, focusing on four projects: Faces of Memories brings together a sample of the creativity of Colombian men and women who tell their stories of resistance through the arts, culture, spaces, and exhibitions.
In addition, the Center formulates proposals of public policy that support the effective exercise of the right to truth, justice and reparation and assurances of non-repetition. These are some of the reports, built on the voices of the victims, regarding emblematic cases of violence in Colombia:.
La historia del S. La historia de los saqueadores del mar.
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