Antoine Watteau, Pilgrimage to Cythera
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The myth of Cythera

Cythera may refer to: Cythera (island) an island of Greece, also written Kythira, Kythera, Kithira. Cytherean pertaining to the island Cythera. Cythera (video. The Embarkation for Cythera ("L'Embarquement pour Cythère") is a painting by the French painter Jean-Antoine Watteau. It is also known as Voyage to Cythera .

Learn More in these related Britannica articles: In the 17th or 16th century, Cretan colonies were established at…. Their combined land area is square miles 2, square km. Maximus Margunios, Greek Orthodox bishop and humanist exponent of Greek culture in Italy, whose attempt to reconcile the theologies of the Eastern and Western churches aroused in Byzantine churchmen suspicion of his orthodoxy.

After his education at the University of Padua, a centre for Greek…. It is bordered on the north by the Arctic Ocean, on the west by the Atlantic…. Help us improve this article! Contact our editors with your feedback.

The Legendary Saviour

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A beginner's guide to the Age of Enlightenment. A beginner's guide to Rococo art. Antoine Watteau, Pilgrimage to Cythera.

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Watteau, Pilgrimage to Cythera. Boucher, Madame de Pompadour. Unlocking an 18th-century French mechanical table.

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Artist George Warner Allen — But Cythera has completely changed my mind! Technique and condition The painting is in tempera and oil colours on gesso primed linen, prepared by the artist. It was not until the s that Watteau and the Rococo returned into fashion. Work Pilgrimage to Cythera Department of Paintings: A continuation of the Taiyetos Range, the island has a mountainous interior, rising to 1, feet metres.

Bernard II van Risenburgh, Writing table. Construction of an 18th-century French mechanical table.

The Return from Cythera

The inlay technique of marquetry. Greuze, The Village Bride.

Cythera is an island in Greece and it was believed, perhaps, to be the birth place of the goddess Aphrodite. You can't miss the connotations of love here. He's got his quiver on the ground, as though he doesn't really need to do anything here because love is all around him already.

I'm not sure that she stands a chance. When you look at the figures that are down below in the middle of the painting, you see the woman who holds the man's arm of her own volition. She doesn't need to be coaxed any longer. I see this progression of figures almost as a dance.