go site After the Surrender of Japan, Kido and Shochikus co-founder Otani were arrested and charged with Class-A war crimes by the Allied occupation authorities. However, with the death of its star Kiyoshi Atsumi, the series came to an end, and the company faced increasing financial difficulties. The Ofuna studio was transformed into a theme park, Kamakura Cinema World, but this was closed in Shochiku has also served as a distributor of theatrical anime. Daiei — The Daiei, Inc. In terms of net sales, Daiei used to be the largest retailer in Japan, however, total sales declined by nearly a quarter in the five years leading up to Satoru Kobayashi director — Japanese sources claim that Kobayashi directed over pink films between and , making him possibly the most prolific Japanese film director.
Satoru Kobayashi was born in Nagano Prefecture on August 1, and his family owned a hot-spring resort hotel. He became involved with butoh, worked as a set designer, in he joined Shintoho studios as an assistant director. Here he worked under ero guro masters Teruo Ishii and Hiroshi Shimizu, as well as Kinuyo Tanaka, Kobayashis directorial debut was with the independently produced Crazy Desire. When Shintoho declared bankruptcy in , Kobayashi was forced to work elsewhere.
After a year out of the chair, Kobayashi wrote. Shintohos female pearl-diver films with actress Michiko Maeda had become notorious in the s as the first Japanese films with nude scenes, Flesh Market was the first Japanese film to show breasts on screen. The film was released on February 27,, and shut down by the Tokyo Metropolitan Police Department the next day and it became the first post-World War II movie to be accused of obscenity.
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When the film was cleared for release the year, seven scenes had been cut. Flesh Market was an independent and underground film, and played only in Adult theaters, nevertheless, perhaps because of the controversy surrounding the release of the film, Flesh Market was a box-office success. Made for only million yen, the film brought in over million yen, the success of this film started the pink film genre, which was to become one of the most vital genres of Japanese domestic cinema for the next 40 years.
The star of the film, Tamaki Katori, would go on to appear in over pink films during the s, today only 21 minutes of Flesh Market survive, preserved in the National Film Centre. Flesh Market was only the beginning of Satoru Kobayashis career in pink films, between and , he made over such films. His interest in horror also expressed itself in such supernatural thrillers as Okinawa Ghost Story — also starring Tamaki Katori— and Caucasian Ghost.
Kobayashi made a miscalculation by attempting to deal with a socially significant theme in Impotence. The first of these softcore pornographic film directed by Tetsuji Takechi, in the years since the end of World War II, eroticism had been gradually making its way into Japanese cinema. The first kiss to be seen in Japanese film—discreetly half-hidden by an umbrella—caused a national sensation in , in the mids, the controversial taiyozoku films on the teen-age Sun Tribe, such as Ko Nakahiras Crazed Fruit, introduced unprecedented sexual frankness into Japanese films.
At the same time, films such as Shintohos female pearl-diver films starring buxom Michiko Maeda, nudity and sex would officially enter the Japanese cinema with the independent, low-budget pink film genre. Known as eroductions at the time, the Pink films genre would come to dominate domestically-produced films in the s and s, the first true pink film, and the first Japanese movie with nude scenes, was Satoru Kobayashis controversial and popular independent production Flesh Market.
Before entering film, Tetsuji Takechi was a director, especially known for his innovative contributions to kabuki. Always attracted to controversy, when his interests turned to the cinema in , is a sex-documentary focusing on the women of Japan, with particular emphasis on participants in the countrys night-life. The film is a series of visiting a variety of women such as female wrestlers, strippers. Nuns and sea divers are shown, along with scenes of transvestism.
Was produced independently by a company called Sano Art Productions, shochiku studios, one of Japans major film companies, picked up the film for distribution. Shochiku would also distribute Takechis next film, Daydream and gave it a publicity campaign. Would lead to Takechis major work, Daydream, which would ensure his position as a leading figure in censorship battles in Japan. Tetsuji Takechi — Tetsuji Takechi was a Japanese theatrical and film director, critic, and author. First coming to prominence for his criticism, in the s and s he produced influential.
In late and early he hosted a popular TV program, The Tetsuji Takechi Hour, in the s, Takechi entered the film industry by producing controversial soft-core theatrical pornography. His film Daydream was the first big-budget, mainstream pink film released in Japan, after the release of his film Black Snow, the government arrested him on indecency charges. The trial became a battle over censorship between Japans intellectuals and the government. Takechi won the lawsuit, enabling the wave of softcore pink films which dominated Japans domestic cinema during the s and s, in the later s, Takechi produced three more pink films.
The first Daydream remake is considered the first theatrical hardcore pornographic film in Japan, though Takechi is largely unknown in Japan today, he was influential in both the cinema and the theater during his lifetime, and his innovations in kabuki were felt for decades. He also helped shape the future of the film in Japan through his battles against governmental censorship, earning him the titles, The Father of Pink. Tetsuji Takechi was born Tetsuji Kawaguchi in Osaka on 10 December to a family headed by a wealthy industrialist and he studied economics at Kyoto National University and graduated in Takechi first became known for his criticism and theoretical writings on the theater, in he began publishing a journal, Stage Review in which he printed his writings on the theater.
In the early s, he began publishing collections of writings in book form. When World War II came to an end, Takechi used his inheritance from his father to establish a theatrical troupe, the immediate post-World War II era was a difficult time for kabuki. Besides the devastation caused to major Japanese cities as a result of the war, also, during the early years of the Allied Occupation of Japan, the occupying authorities banned kabuki as feudalistic and detrimental to the public morals, though by this ban was lifted. Other traditional forms of theater, such as noh and bunraku, seen as less flamboyant and violent than kabuki, received less attention from Occupation censors.
Kabuki scholars credit Takechis innovative productions of the classics with bringing about a rebirth of interest in the kabuki in the Kansai region after this low point in kabuki history. Daydream film — Daydream is a Japanese film. It was the first erotic film to have a big budget and a release in Japan.
Known as eroductions at the time, Pink films made up the bulk of releases in the s, the first true pink film, and the first Japanese movie with nude scenes, was Satoru Kobayashis controversial and popular independent production Flesh Market. Director Seijun Suzukis Gate of Flesh was the first Japanese mainstream film to contain nudity, before entering film, Tetsuji Takechi was a theatrical director, especially known for his innovative contributions to kabuki.
The film opens as an artist and a woman are in a dentists waiting room. Though he is attracted to the woman, he says nothing to her and they are later in the same examining room. When the artist is given an anaesthetic, he begins to imagine a series of scenes in which the woman undergoes various forms of abuse at the hand of the dentist, including rape. When the artist recovers from the anaesthetic, he finds bite marks on the womans breast, Kanako Michi Akira Ishihama Chojuro Hanakawa Yasuko Matsui Though modest compared to pink films which would come soon after, Daydream did contain female nudity, including a brief shot of pubic hair.
To the outsider, Japanese censors can seem surprisingly lenient in what is allowed on film, however the depiction of pubic hair, Takechi fought the governments censorship of this shot, but lost. The Japanese government was displeased with the film because it was released during the Tokyo Olympics.
The authorities were not happy with the impression a widely released sex film might give, the Japan Dental Association protested against the film because of its unsavory depiction of their profession in the character of the dentist. It was released just months after he had left Nikkatsu and formed his own company, a man keeps his girlfriend tied up in his small apartment and tortures her. She is undressed, subjected to various types of bondage, whipped and he also brushes her hair, applies make-up on her, and breaks down and cries in the fetal position.
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The men's metres was the second-shortest of the men's track races in the Athletics at the Summer Olympics program in Tokyo. The men's metres steeplechase was the only steeplechase on the Athletics at the Summer Olympics program in Tokyo. The men's metres was the third-shortest of the men's track races in the Athletics at the Summer Olympics program in Tokyo. The men's metres hurdles was the longer of the men's hurdle races in the Athletics at the Summer Olympics program in Tokyo.
The men's 50 kilometres walk was the longer of the two men's race walking events on the Athletics at the Summer Olympics program in Tokyo, as well as the longest event on the program. The men's metres was the second-longest of the seven men's track races in the Athletics at the Summer Olympics program in Tokyo. The men's metres was the middle of the seven men's track races in the Athletics at the Summer Olympics program in Tokyo. The decathlon was a men event and part of the Athletics at the Summer Olympics program in Tokyo.
The men's discus throw was one of four men's throwing events on the Athletics at the Summer Olympics program in Tokyo. The men's hammer throw was one of four men's throwing events on the Athletics at the Summer Olympics program in Tokyo. The men's high jump was one of four men's jumping events on the Athletics at the Summer Olympics program in Tokyo. The men's javelin throw was one of four men's throwing events on the Athletics at the Summer Olympics program in Tokyo. The men's long jump was one of four men's jumping events on the Athletics at the Summer Olympics program in Tokyo.
The men's marathon was part of the Athletics at the Summer Olympics program in Tokyo. The men's pole vault was one of four men's jumping events on the Athletics at the Summer Olympics program in Tokyo. The men's shot put was one of four men's throwing events on the Athletics at the Summer Olympics program in Tokyo. The men's triple jump was one of four men's jumping events on the Athletics at the Summer Olympics program in Tokyo. The women's metres was the shortest of the four women's track races in the Athletics at the Summer Olympics program in Tokyo.
The women's metres was the second-shortest of the four women's track races in the Athletics at the Summer Olympics program in Tokyo. The women's metres was the second-longest of the four women's track races in the Athletics at the Summer Olympics program in Tokyo. The women's 80 metres hurdles was the only women's hurdle race in the Athletics at the Summer Olympics program in Tokyo. The women's metres was the longest of the four women's track races in the Athletics at the Summer Olympics program in Tokyo. The women's discus throw was one of three women's throwing events on the Athletics at the Summer Olympics program in Tokyo.
The women's high jump was one of two women's jumping events on the Athletics at the Summer Olympics program in Tokyo. The women's long jump was one of two women's jumping events on the Athletics at the Summer Olympics program in Tokyo. The women's pentathlon was part of the Athletics at the Summer Olympics program in Tokyo. The women's shot put was one of three women's throwing events on the Athletics at the Summer Olympics program in Tokyo.
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